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Libri antichi e moderni

Roberts

SIDON [Being an Original Hand-Coloured Lithograph From] THE HOLY LAND, SYRIA, IDUMEA, ARABIA, EGYPT AND NUBIA

F.G. Moon and Co., 1846

2200,00 €

Buddenbrooks Inc.

(Newburyport, Stati Uniti d'America)

Parla con il Libraio

Metodi di Pagamento

Dettagli

Anno di pubblicazione
1846
Luogo di stampa
London
Autore
Roberts
Editori
F.G. Moon and Co.
Edizione
From the Standard Folio First Edition, limited to 500 sets only.
Lingue
Inglese
Prima edizione

Descrizione

From the Standard Folio First Edition, limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 24" x 17", the captioned image, is 20" x 14", now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition, clean, fresh, beautifully preserved.

Edizione: from one of the most desirable of all travel and colourplate books. a handsome general view of the fishing and port city of sidon. it is a beautifully colour plate featuring people, fish, dogs, boats, buildings, the sidon sea-castle and bridge and the mediterranean.<br> we have a good number of impressive images from the standard folio edition of this classic work available for purchase. as well as sidon there are many views available of egypt, nubia, petra, sinai, the jordan, tyre and baalbec. please inquire for further details.<br> in the course of two and a half months in 1838, traveling some 800 miles south from cairo, roberts recorded the monumental temple sites along the nile in more than a hundred sketches. as the first british artist to sketch the monuments of ancient egypt, set on "plains so vast.that, until you come near them, you have no idea of their magnificence," roberts was well aware of the stir his drawings would create in london. according to john ruskin, writing in praeterita, roberts's drawings "were the first studies ever made conscientiously by an english painter, not to exhibit his own skill, but to give true portraiture of scenes of historical and religious interest."