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Libri antichi e moderni

Robinson, Alistair, Lambton, Luninda, Doig , Peter

David Harrison

Philip Wilson Publishers, 2009

19,50 €

Pistil Books Online

(Seattle, Stati Uniti d'America)

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Metodi di Pagamento

Dettagli

Anno di pubblicazione
2009
ISBN
9780856676710
Autore
Robinson, Alistair, Lambton, Luninda, Doig , Peter
Editori
Philip Wilson Publishers
Descrizione
Fine
Descrizione
H
Sovracoperta
Stato di conservazione
In ottimo stato
Legatura
Rilegato
Copia autografata
No
Prima edizione
No

Descrizione

Large format book with a great many full page, full color prints; 192 pages in excellent condition in every respect, dust jacket is wrapped in protective mylar cover. This monograph includes reproductions of over 200 paintings, sculptures and collages by contemporary British artist David Harrison, plus studies of his work and an interview with fellow artist Peter Doig. Over the course of the last twenty-five years, David Harrison has created a body of work unique in contemporary British art that is characterized by wit, a playful love of contradiction, and quiet erudition. Working in two and three dimensions, the artist s paintings, sculptures, and collages transform the natural and man-made worlds into mythical settings in which alarming, magical, and incongruous narratives unfold. Indeed, Harrison s works collectively give shape to an idiosyncratic mythology in which every aspect of the modern world plays its part. It is, however, for his representations and re-creations of the natural world that he has become best known: in his work nature is an endless source of wisdom and fecundity, although it is never quite one of safety, harmony, or consolation. His canvases transform his own biography and experiences into fiction, whilst interweaving references from the history of art, popular culture, architectural history, and the mythology of English landscape. The book includes a foreword by broadcaster and architectural historian Lucinda Lambton, an interview with the artist conducted by his contemporary Peter Doig, and a study of his motifs and methods by curator Alistair Robinson.