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Libri antichi e moderni

Semra Germaner, Zeynep Inankur.

Constantinople and the orientalists.

Isbank, 2002

65,80 €

Khalkedon Books, IOBA, ESA Bookshop

(Istanbul, Turchia)

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Metodi di Pagamento

Dettagli

Anno di pubblicazione
2002
ISBN
9754583269
Luogo di stampa
Istanbul
Autore
Semra Germaner, Zeynep Inankur.
Pagine
0
Editori
Isbank
Formato
4to - over 9¾ - 12" tall
Edizione
1st Edition
Soggetto
ORT ORIENTALISM ISTANBUL - CONSTANTINOPLE HISTORY OF ART, PAINTING TRAVEL MEMORIES REFERENCE OTTOMAN COURT BOSPHORUS PERA, GOLDEN HORN ENGRAVING THE OTTOMANICA OTTOMANIA WORLD OTTOMANS, EMPIRE STATE DAS OSMANISCHE REICH L'EMPIRE L'IMPERO OTTOMANO EL, IMPERIO OTOMANO DET OSMANSKE RIKET GESCHICHTE HISTOIRE OTTOMANE, STORIA OTTOMANA HISTORIA OTOMANA OTTOMANSKE HISTORIE TURKISH AND, ISLAMIC ARTS TÜRKISCHE UND ISLAMISCHE KUNST TURCS ET ISLAMIQUES, ARTE TURCA E ISLAMICA TURCO ISLÁMICO TYRKISK OG ISLAMSK FINE, PAINTER ARTIST TURKEY MALERI PINTURA PITTURA PEINTURE TURQUE, MALEREI CONSTANTINOPLA CONSTANTINOPOLI KONSTANTINOPEL SOCIAL, KUNSTGESCHICHTE DE L'ART DELL'ARTE DEL KUNSTHISTORIEN, Istanbul, Constantinople
Descrizione
Soft cover
Lingue
Inglese
Legatura
Brossura
Prima edizione

Descrizione

New English Paperback. Pbo. 4to. (29 x 24 cm). In English. 331 p., b/w and color ills. Constantinople and the orientalists. Since the publication of our earlier study; 'Orientalism and Turkey', we have been exploring the ramifications of Orientalism in the Ottoman capital of Istanbul itself, or as it was generally known in the nineteenth and early twentieth century: Constantinople. The present study, documented by both visual and written records, including memories, reveals not only the ways in which Istanbul was perceived and portrayed by European artists in the nineteenth century, but it also tries to represent the contemporary city as it truly lived and breathed. In the present work, the reader will discover the identity of Western artists whose works pictorially limned the Ottoman capital, their favorite subjects ¿the harem, the bath, the coffeehouse, and the slave market- and the nature of their interpretation of these subjects.
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