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Livres anciens et modernes

Fatih Cimok.

Saint Sophia.

A Turizm Yayinlari, 2005

28,20 €

Khalkedon Books, IOBA, ESA Bookshop

(Istanbul, Turquie)

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Détails

Année
2005
ISBN
9757199451
Lieu d'édition
Istanbul
Auteur
Fatih Cimok.
Pages
0
Éditeurs
A Turizm Yayinlari
Format
4to - over 9¾ - 12" tall
Edition
2nd Edition.
Thème
ORT HISTORY OF ART KUNSTGESCHICHTE HISTOIRE DE L'ART STORIA, DELL'ARTE HISTORIA DEL ARTE KUNSTHISTORIEN THE BYZANTIUM, BYZANTINE BYZANCE BYZANTION BYZANZ BISANZIO BIZANCIO BYSANTS, ISTANBUL CONSTANTINOPLE CONSTANTINOPLA CONSTANTINOPOLI, KONSTANTINOPEL AYA SOFYA ST. SOPHIA MOSAIC ARCHITECTURE, Architecture & Urbanism, Byzantine, History of art
Description
Dust jacket
Jaquette
Oui
Langues
Anglais
Reliure
Couverture rigide
Premiére Edition
Non

Description

As New As New English Original bdg. Dust wrapper. Mint. Small 4to. (26 x 19 cm). In English. 141, [1] p., color ills. The subject matter of the volume is the former Church of Saint Sophia, today's Ayasofya Museum built by Justinian the Great in 532-37. After it was built, for many centuries both Christians and Moslems believed that it was not the talent, experience and courage of its builders but the hand of God that must have made such a monument possible. Scholars regard the building as a unique synthesis of the architectural traditions which existed in the sixth-century Byzantine world. None of the master architects of the Byzantine Empire nor those of the West would dare to repeat its plan during the following centuries. St Sophia witnessed the golden days of Constantinople, its suffering at the hands of the soldiers of the Fourth Crusade, its Palaiologos revival and its fall to the Ottoman Turks. In a single day the ringing of its bells were replaced by the call of 'muezzins'. After Constantinople was turned into the capital of the Ottoman Empire the monument became a source of legends and stories for Moslem writers. Its plan and size served as a source of inspiration and challenge for the Ottoman architects.The book covers the early history of Byzantium and Constantinople, the first and second churches of Saint Sophia which were built on the same spot, the Nika (Victory) Riots and construction of present-day building and its history first as a mosque and later as a museum. The last part of the volume deals with its surviving mosaics and includes pictures of all of them. The text is supplemented with plans and drawings of the Fossatis who restored the monument in the nineteenth century.
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