Questo sito usa cookie di analytics per raccogliere dati in forma aggregata e cookie di terze parti per migliorare l'esperienza utente.
Leggi l'Informativa Cookie Policy completa.

Livres anciens et modernes

Deutsch, Helen

Resemblance & Disgrace: Alexander Pope and the Deformation of Culture.

Cambridge, London: Harvard University Press, 1996., 1996

68,00 €

Bookshop Buch Fundus

(Berlin, Allemagne)

Demander plus d'informations

Mode de Paiement

Détails

Année
1996
ISBN
9780674764897
Auteur
Deutsch, Helen
Éditeurs
Cambridge, London: Harvard University Press, 1996.
Format
XIII, 273 p.: Ill. Hardcover with dust jacket.
Description
Hardcover with dust jacket.
Jaquette
Non
Langues
Anglais
Reliure
Couverture rigide
Dédicacée
Non
Premiére Edition
Non

Description

Sehr gutes Exemplar, innen sehr sauber und ohne Anstreichungen / a good copy, inside very clean and without markings. - Between the figure of Alexander Pope, a hunchback standing 4 feet 6 inches tall, and the perfect polished form of his poetry is an undeniable contradiction. Undeniable but not necessarily unfortunate, this contradiction of deformity and form may have been Pope's ultimate couplet, Helen Deutsch suggests, the paradox from which his contemporary cultural authority sprang. By restoring the poet's image to view against the cultural background that branded it as monstrous, Deutsch recasts Pope's literary career, from his translations of Homer to his imitations of Horace, as itself a form of monstrous embodiment� a stamping of his own personal, disfigured image on fragments of the cultural past. In Resemblance and Disgrace deformity appears as a poetics jointly constructed by the author and his audience, and Pope as an instrumental figure in the history of authorship whose personal vision and unique visibility have influenced succeeding images of cultural authority. Like the miniatures of which Pope was so fond, the book is at once particular in its focus and wide-ranging in its conceptual scope. While drawing on recent feminist historicist, and materialist criticism of Pope, as well as current theoretical work on the body, it also attends closely to the local ambiguities of the poet's texts and cultural milieu, details often lost to critical view. The result is a revitalized and broadened understanding of Pope and of the processes of authorship. By focusing on the process by which ideas of authority and authenticity took shape at specific moments in Pope's career, Resemblance and Disgrace calls into question distinctions between theoretical abstractions and material details, between literary originality and critical derivation, following Pope's own example of rewriting intellectual boundaries as creative opportunities. ISBN 9780674764897