Questo sito usa cookie di analytics per raccogliere dati in forma aggregata e cookie di terze parti per migliorare l'esperienza utente.
Leggi l'Informativa Cookie Policy completa.

Livres anciens et modernes

Šimkus, Jonas - Burba, Jonas Juozas (Cover)

Pasakos Is Cemento [Tales from the cement]

[in fine: “Raidės” Spaustuvė],, 1929

1200,00 €

Pontremoli srl Libreria Antiquaria

(MILANO, Italie)

Ce vendeur offre l'expédition gratuite
avec un achat minimum de 100,00€

Demander plus d'informations

Mode de Paiement

Détails

Année
1929
Lieu d'édition
Kaunas,
Auteur
Šimkus, Jonas - Burba, Jonas Juozas (Cover)
Pages
pp. 48.
Éditeurs
[in fine: “Raidės” Spaustuvė],
Format
in 16°,
Edition
First edition.
Thème
Avanguardie internazionali Futurismo
Description
white wrappers, stunning black & white cover design by the renowned graphic designer Jonas Juozas Burba,
Premiére Edition
Oui

Description

LIBRO First edition. A good to very good copy. The second collection of avant-garde poems by Šimkus, founder, editor and writer of the magazine «Trečias Frontas». 1000 copies were printed, according to the National Library of Lithuania record. Since the opening poem, «Programa», what catches the eye is a strong modernist imaginary (factories, offices, urban landscape details, «Aš programą iš plieno atlieju» [I have a program of steel castings, p. 5]) employed to convey political and nationalist messages, with references to the Bolshevik mith (e.g. the metaphor «kaip bolševikų šaudomi buržujai» [as the Bolsheviks shot bourgeois, p. 7]). But also lyrical and intimate verses can be found, often enlivened by a constant reference to a strictly contemporary, pop-urban imaginary (traffic lights, sirens, robots, machines, offices, chimneys.). One of the longer poems, divided into two rooms, is entitled «Apie raštinę [The Office]», and it is all about dehumanized life of the modern work, a sort of “tertiary nightmare”. Another poem entitled «Apie kubišką meilę [Cubital love]» mentions lead triangles, aluminium cubes and «dynamic machines». The ending poem is dedicated to the renown Lithuanian realist writer Petras Cvirka (1909-1947), who collaborated extensively to «Trečias Frontas». Remarkable the stunning art work by JJ Burba to the front cover, a modern city landscape stylized as a rationalist/constructivist/futurist composition. Salaris, Futurisms in the World, p. 674
Logo Maremagnum fr