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Livres anciens et modernes

Ece Özçeri.

Displaying the empire: A search for self representation of the Ottoman Empire in the international exhibitions of the nineteenth century.

Libra, 2016

36,66 €

Khalkedon Books, IOBA, ESA Bookshop

(Istanbul, Turquie)

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Détails

Année
2016
ISBN
9786059022743
Lieu d'édition
Istanbul
Auteur
Ece Özçeri.
Éditeurs
Libra
Format
8vo - over 7¾ - 9¾" tall
Thème
ORT OTTOMANICA OTTOMANIA OTTOMAN WORLD HISTORY OTTOMANS THE, EMPIRE STATE DAS OSMANISCHE REICH L'EMPIRE L'IMPERO OTTOMANO EL, IMPERIO OTOMANO DET OSMANSKE RIKET GESCHICHTE HISTOIRE OTTOMANE, STORIA OTTOMANA HISTORIA OTOMANA OTTOMANSKE HISTORIE OF, EXHIBITIONS TURKISH AND ISLAMIC ARTS ART TÜRKISCHE UND, ISLAMISCHE KUNST TURCS ET ISLAMIQUES ARTE TURCA E ISLAMICA TURCO, ISLÁMICO TYRKISK OG ISLAMSK INTERNATIONAL RELATIONS, Ottomanica
Description
Soft cover
Langues
Anglais
Reliure
Couverture souple

Description

New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In English. 175 p. Displaying the empire: A search for self representation of the Ottoman Empire in the international exhibitions of the nineteenth century. The international exhibitions were the outcomes of the radical changes in economic, social and political structure brought out by the revolutions of the eighteenth century. Although, exhibitions are generally evaluated as commercial centers, they were, at the same time, spheres in which the nineteenth century states¿ entire power relations were displayed. In the international exhibitions, the world of the nineteenth century was divided into two parts. According to this two-parted world, it is considered that the concepts like technology, science and industry belong to the West; on the other hand, the East was associated with backwardness, superstition and manufacture. In the exhibitions, the Eastern participants answered the West¿s sense of wonder about the East and they were involved in the amusement part of the exhibitions. In this study, the motives of the Ottoman Empire, which cannot be classified under these binary categories, in participating the international exhibitions were discussed. In this regard, the main focus of the study is the transformation of the exhibitions towards the platforms, where the states displayed their cultural identities with the impact of the peace period, the material progress and colonialism, all of which surpassed their initial commercial agenda. The aim of the Ottoman Empire to participate in the exhibitions was emphasized as an attempt to display an accurate Ottoman representation in the international public by benefiting from the transformation of the exhibitions. The main argument is that the Ottoman mind realized that the international exhibitions were not only commercial centers but also arenas for self representation.
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