Questo sito usa cookie di analytics per raccogliere dati in forma aggregata e cookie di terze parti per migliorare l'esperienza utente.
Leggi l'Informativa Cookie Policy completa.

Libros antiguos y modernos

Cox Catherine S.

The Judaic Other in Dante, the Gawain Poet, and Chaucer

University Press of Florida 2005,

110,00 €

Pali s.r.l. Libreria

(Roma, Italia)

Habla con el librero

Formas de Pago

Detalles

Autor
Cox Catherine S.
Editores
University Press of Florida 2005
Materia
Dante
Descripción
H
Sobrecubierta
No
Conservación
Nuevo
Encuadernación
Tapa dura
Copia autógrafa
No
Primera edición
No

Descripción

8vo, hardcover, 256pp. This book explores the late medieval literary legacy of early Christianityís relationship to its Judaic origins. Catherine S. Cox demonstrates how the works of three canonical 14th-century authorsóDante, the Gawain-poet, and Chauceróexpress conflicting aspects of Jewish and Christian religious identity. In their support of Christianityís view of history, she argues, their poetry replicates Christianityís inclination to appropriate and reconstruct Jewish texts. All three writers shared the challenge of reconciling their Christian agenda with their literary agenda and their desire to excel as artists while perpetuating an evangelical message. Looking at some of their major textsóin particular, the Commedia, Sir Gawain and the Green Knight, and the Canterbury Talesóshe situates their work in relation to the history of supersessionism and its ideological perspectives. She demonstrates that their representations of the Judaic ìOtherî and their exclusion of Hebrew scriptural tradition helped establish an instructive frame for late medieval theological, literary, and cultural debate. By engaging ancient scholarship with contemporary theory, Cox offers provocative readings of both the texts and the cultural conditions from which they emerged and in which they were received. Informed by a broad range of literary, historical and recent critical debates, her study will bring about a new understanding of numerous and sometimes perplexing aspects of work by monumental figures in literary history.