La Peinture futuriste en Belgique. La Pittura futurista nel Belgio. (Dalla rivista «La Belgique artistique et littéraire», Luglio 1912)

MANIFESTOPrima edizione.Ottimo esemplare.Testo a fronte francese-italiano su due colonne. L’articolo pubblicato commenta la tappa belga della tournée europea dei pittori futuristi nel 1912. «[.] the exhibition at the Galerie Giroux prompted lively discussions and encouraged several critics to dedicate more in-depht commentaries to Futurist aesthetics. [.] The journal “La Belgique artistique et littéraire published two essays which were more enthusiastic in tone. The critic Raymond Nyst (1864-1943) stressed the innovative power of Futurist painting [.] Auguste Joly (1861-1932), in his short contribution entitled “Sur le futurisme”, saw Futurist art as literary and artistic expression of contemporary preoccupations. Marinetti did not hesitate to take advantage of the positive reaction coming from Brussels, and turned the articles by Joly and Nyst into a large-scale, bilingual broadsheet[s] [.]» (Handbook of International Futurism, 2019, pp. 326-s).Tonini, I manifesti del futurismo italiano, 50.1; Salaris, Futurismi nel mondo, p. 103; Cammarota, Futurismo, Volantini, 69