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Libros antiguos y modernos

Artisti: Acconci Vito, Andre Carl, Barry Robert, Buren Daniel, D, Ibbets Jan, Graham Dan, Haacke Hans, Heizer Michael, Huebler Dou, Glas, Kawara On, Kosuth Joseph, Long Richard, Morris Robert, Nau, Man Bruce, Panamarenko, Paolini Giulio, Penone Giuseppe

Information

MOMA, New York, 1970

450,00 €

a+mbookstore Libreria

(Milano, Italia)

Habla con el librero

Formas de Pago

Detalles

Año de publicación
1970
Autor
Artisti: Acconci Vito, Andre Carl, Barry Robert, Buren Daniel, D, Ibbets Jan, Graham Dan, Haacke Hans, Heizer Michael, Huebler Dou, Glas, Kawara On, Kosuth Joseph, Long Richard, Morris Robert, Nau, Man Bruce, Panamarenko, Paolini Giulio, Penone Giuseppe
Páginas
208
Editores
MOMA, New York
Materia
Installation Art Land Art Installation Art
Descripción
brossura
Idiomas
Italiano
Encuadernación
Tapa blanda

Descripción

"Catalogue of an exhibition curated by Kynaston McShine and held at MoMA in New York between 2 July and 20 September 1970. The exhibition presented videos and installations by 100 American and European artists (e.g. Vito Acconci, Art & Language, Daniel Buren, Jan Dibbets, Hans Haacke, Dennis Oppenheim, Edward Ruscha, Robert Smithson, or Jeff Wall). It included an early example of dealing with publicly accessible archives within the context of an exhibition and some of the participating artists confronted the issues of political and media based contents: Haacke established MoMA Poll as a first link between the areas of politics and the museum by presenting an open poll on the way the Rockefeller family acted with regard to Nixon's plans in Indochina. "With an artworld that knows more readily about current work, through reproductions and the wide dissemination of information via periodicals, and that has been altered by television, films and satellites, as well as the jet, it is now possible for artists to be truly international; exchange with their peers is now comparatively simple. The art historian s problem of who did what first is almost getting to the point of having to date by the hour. Increasingly artists use mail, telegrams, telex machines, etc., for transmission of works themselves photographs, films, documents or of information about their activity. For both artists and their public it is a stimulating and open situation, and certainly less parochial than even five years ago.It is no longer imperative for an artist to be in Paris or New York. Those far from the art centers contribute more easily, without the ooften artificial protocol that at one time seemed essential for recognition." (source: Kynaston McShine, "Introduction to Information", in the catalogue). — Testi: McShine Kynaston L. F.to: 22x28; pagg. 208; BN; rileg. brossura. Editore: MOMA, New York, 1970.